Venue:- The Boston Music Rooms, Tufnell Park, London.
”These guys are like Magi!! The sounds that can be conjured from their guitars is pure magic. Sure other bands are just as competent with their instruments but the whole here is greater than the sum of its parts!! The image, the smells emanating from the stage and the production, it just does it for me. Inconcessus Lux Lucis are a great live band, they are raw and stripped down, monochromatic shades that emphasis rather than drown and dull!! A melodic sludge played out in the shadows!! If i ever get the chance to walk through London’s sewers then Inconcessus Lux Lucis is what i want played as my accompaniment!! Black is the canvas, the bass flicks paint like a heavy brush, the guitar offloads paint laden wire flicked with abandon and the drums are paint cans, lids removed and dropped from a great height!! There is something visceral going on here, it’s like my base needs are being catered to without all the sugary bullshit getting in the way!! Pure sucks out the pure!!”
”The first time i saw Gene Loves Jezebel was in 1988 at the Bristol Bierkeller and then i see them twice in a month this year. Once at Wave Gotik Treffen where they played a blinding set in front of around 400/500 people and then the other night to around 80 people at The Black Heart in Camden. First onstage at just after 7:45pm was Evi Vine. To be honest i don’t know much about Evi’s solo output so this set was a first for me. The music was very pensive and dreamy, i felt like i was crawling through a shallow pool surrounded by trees and mist trying not to succumb to a hypnotic soporific. This is the sort of music i want to listen to whilst ensconced in a comfy chair…… And it sounds like a sparser All About Eve and like the band Darkher or come to think of it, Jarboe who i saw at WGT too. Like Jarboe there was no talking between songs which i prefer. Evi did say at one point that she does not talk between tracks as it throws her off her performance, i mean, you don’t need to talk, don’t force banter if it does not feel right, just play. I did overhear one audience member say ”I can’t wait for GLJ to come on cos this lot are putting me to sleep” Hmmm, not to everyone’s taste then??”
Gene Loves Jezebel
”Gene Loves Jezebel came on at 9pm and played until around 10:30. There was only one difference to when i saw them in the 80’s, i’ll leave that up to you to guess what!! The band were well received when they came on and started off with ”Upstairs” from the album ”Promise” followed by a mix of other known tunes and new tracks from new album ”Dance Underwater” which is released on the 30th June. This will be the first album released by the band in around 20 years with Pete Walsh back on producing duties! He produced the album ”The House Of Dolls 29 years ago which was a great album and he was the only person wanted to work on this new offering! Since it’s release i have a had a listen and it is a very poppy album, the first track ”Charmed Life” has an auto tune feel on the vocal a la Cher and the single ”Summertime” is a very breezy and fizzy track and had me tapping the side of the stage when i heard it live . This is the best work in ages the band say and from what i have heard i tend to agree with them!! Jay was very chatty between songs, flirty with the audience and keeping them onside throughout the set, totally different feel to the support. His voice was stronger than from what i remember from 1988 gig, a point not lost on me when i saw the band in Leipzig and it was filled with liberal smatterings of ”huh huhs” and chirps. This was a rare London show and the Black Heart Camden was good place to have it.The venue has a good sound, is intimate, has good ale and is near to the tube!! All in all this was a good night of music thoroughly enjoyed by all, the encore was a version of ”Desire” and then they were gone!! I bought a t shirt and then so was i!!!”